Showing posts with label Reboot. Show all posts
Showing posts with label Reboot. Show all posts

Monday, November 13, 2023

Triumph of Trigun - A Look at Both Series Original and New


Series Name/Year: Trigun (1998)
Series Name/Year: Trigun Stampede (2023-)
Streaming Service (Both): Crunchyroll
Genres (Both): Animation, Action, Adventure, Comedy, Drama, Sci-Fi, Western
Average Episode Length - Trigun:  24 min (1 Season, 26 episodes)
Average Episode Length - Trigun Stampede:  24min (1 Season, 12 episodes)
Rating (Both): TV-14
Director - Trigun: Satoshi Nishimura
Directors - Trigun Stampede: Kenji Muto, Minoru Yamaoka, Naomichi Yamato, Hiroshi Nishikiori, Mie Ôishi
Writers - Trigun: Yôsuke Kuroda, Yasuhiro Nightow
Writers - Trigun Stampede: Tatsuro Inamoto, Yasuhiro Nightow, Shin Okashima, Takehiko Okishi, Yoshihisa Ueda
Actors - Trigun:
- Japanese Cast:
Masaya Onosaka, Satsuki Yukino, Hiromi Tsuru, Show Hayami, Tôru Furusawa, Masamichi Ota, Aya Hisakawa, Toshihiko Seki, Kôki Miyata
- English Cast:
Johnny Yong Bosch, Lia Sargent, Dorothy Elias-Fahn, Jeff Nimoy, Kirk Baily, Bridget Hoffman, Richard Cansino, Bryce Papenbrook, Joshua Seth
Actors - Trigun Stampede:
- Japanese Cast:
Yoshitsugu Matsuoka, Sakura Ando, Kenji Matsuda, Yoshimasa Hosoya, Junya Ikeda, Yumiri Hanamori, Tomoyo Kurosawa, Tarako, Ryûsei Nakao, Maaya Sakamoto, Kimiko Saitô, Mirei Kumagai
- English Cast:
Johnny Yong Bosch, Sarah Roach, Ben Bryant, David Matranga, Austin Tindle, Kristen McGuire, Madeleine Morris, Megan Shipman, Larry Brantley, Emily Fajardo, Lydia Mackay
 
IMDb Blurb - Trigun: Vash the Stampede is the most infamous outlaw on the planet Gunsmoke and with a 60 billion double dollar price on his head the most sought after!
IMDb Blurb - Trigun Stampede: Follow gunman Vash the Stampede as he struggles to maintain his pacifist ways while avoiding the immense bounty on his head.

 
Cat’s Point of View:
Before we delve into the warm fuzzies of the Holiday Season – better yet, before we return to our more usual review fare with the end of the SAG-AFTRA strike; I thought I’d dive into one of my favorite Japanese manga adaptations: Trigun.

Of course, there’s more than 1 series to mention, considering the freshly released Trigun Stampede that premiered this year. Both series approach the same material (for the most part) from different perspectives, and I find both of them excellent in their own ways.

I have a bit of a soft spot for westerns. Couple that with my love of science fiction and adventure and Trigun just started checking a lot of boxes in the positive column as I caught the original series airing on Adult Swim years ago.

If I had to pick some well known titles to mash together to compare Trigun to, I’d have to say that it would be somewhat like a combination of the world of Mad Max (1979) and the sci-fi blend in Cowboy Bebop (1998-1999). (Of course, Trigun was one of Bebop’s contemporaries airing in the same year.) I adore the blend of action with drama and comedy. Some of the physical anime gags go a little over-the-top (especially facial features and expressions). Those really aren’t my favorite bits, but everything else about the series is a wonderful blend of chaos, futuristic steampunk, and the visuals of an alternate world “old West.”


Before I go any further, I feel I do need to warn that this review will inherently contain some mild SPOILERS regarding the Trigun storyline continuity. The 1998 series and the 2023 series approach Vash’s story from different points in the timeline and some bits of information revealed as a surprise or plot-twist late in the Trigun original series are front and center in the very first episodes of the Trigun Stampede series. Further, anyone who has watched the original series will generally know most of what will happen in Trigun Stampede, however not everything is shown in this first season. There’s room for the “missing characters” (to some extent) and other plot elements to be explored in season 2 and potentially beyond.

First, let’s talk animation style. With the 20-plus years between Trigun and Trigun Stampede, it’s a given that animation production methods and styles will have changed over time. 1998’s series fits right in with the high quality of its contemporaries. The action was handled really well, and not all of the comedy digressed into “comicalization” or simplistically exaggerated facial expressions for the characters. Hey, I’m not knocking that stylistic choice – it’s just not my preferred cup of tea. Even so, plenty of my favorite series utilize that affectation as a common anime trope. It doesn’t generally impact my enjoyment.

The Trigun Stampede series is rather straight-shooting in a seamless animation style that remains uniform, even while still delivering the moments of emotion and comedy. The new style is clearly rendered in a digital format, though still retains much of the “old school” animation charm rather than the shiny plastic nature of most 3D animation. The action is fluid and well done, and Stampede also utilizes a more modern approach to cinematography. As an example, there’s one scene in an early episode of Stampede that comes to mind where Vash is using parkour as he dodges bullets, and as he flips onto another rooftop or similar surface the camera does a rotation with him. (This scene is actually shown in the music video that accompanies the opening theme music for Stampede.)


Now let’s get into the story a bit. Trigun Stampede might be hard for some fans of the original series to take in at first because of some changes and/or seeming omissions. Some characters aren’t seen that are in the 1998 series and even the world has a different name. Previously called Gunsmoke, it’s now called Nomans Land. Some of the villain-of-the-week characters don’t make an appearance, and even some of the Gung-Ho Guns don’t show. Some characters have different backgrounds… you get the picture.

Most of the differences are honestly splitting hairs, in my opinion. Stampede is not worse for wear for these changes. Honestly, it felt like the story was more cohesive and streamlined. It felt like the original series had more light-hearted moments sprinkled through the explosions, raining bullets, questionable pick-up lines, and camaraderie. Trigun Stampede has the comedy and action down, but also leans in a bit more to drama, ethics, discrimination, personal moral code, and existential questions. It’s a bit heavier in tone in some places, considering you know from the outset what the relationship is between Vash and Knives and get an inkling as to what the stakes are overall.

There’s one main thing to keep in mind, however. When the 1998 series ran, the manga was not finished by a long shot. Both series are made from a combination of Trigun and Trigun Maximum. The latter just wasn’t complete when the first series made its run. Maximum also wasn’t a reboot of the original Trigun manga, but a continuation. The name only changed due to legal red tape because the publisher changed, etc. Stampede now has the full manga run at its disposal to draw from, and has the opportunity to spin the entire story in a different way than presented in 1998.


Both versions of the series remain true to Vash’s core journey – both literal and figurative. He strives to put together what went wrong in the past and find some redemption in his life. 
Vash has profound sadness within him, and yet shows a great understanding and zest for life and laughter all the same. Throughout both series, in the face of daunting circumstances, he maintains his beliefs in finding alternate solutions to violence. Though, when violence cannot be avoided, he shows strength and stands up to defend even those that have tried to hurt him. In this way, the story of Trigun in both series reminds me of the way of life and perspective of the late Gandhi and makes this story that much more powerful. 
“My creed of nonviolence is an extremely active force. It has no room for cowardice or even weakness. There is hope for a violent man to be some day non-violent, but there is none for a coward. I have, therefore, said more than once....that, if we do not know how to defend ourselves, our women and our places of worship by the force of suffering, i.e., nonviolence, we must, if we are men, be at least able to defend all these by fighting.” - M.K. Gandhi
As usual, I feel I must disclose that, at this time, I haven’t read the manga to know specifically what differences exist between either Trigun’s original series or Stampede and the source material. There are many anime resource sites, forums, and databases you are welcome to peruse should you wish to look up the play-by-play yourself.


One of the things that brings me great joy about all of the Trigun series is that, at least for the English dubbed versions, Johnny Yong Bosch (Black Clover, Demon Slayer: Kimetsu no Yaiba, Bleach: Thousand Year Blood War) has remained the voice of Vash the Stampede throughout. He seems to be the only consistent cast member to return through both series and the 2010 stand-alone movie. He brings something great to all of the characters he brings to life on the screen, and seemingly effortlessly evokes both their strengths and vulnerabilities.

Yes, I did mention that there was a Trigun movie. Trigun: Badlands Rumble hit screens in 2010 as an independent story that could have taken place somewhere in the middle of the continuity of the 1998 series. It didn’t pick up from the end, as some might have hoped. In that way it shared even more in common with the Bebop series, as Cowboy Bebop: The Movie (2001) did the same thing (much to my dismay).

Trigun Stampede does have a 2nd season announced, though details are scarce as to the timeline for production. The ending of Stampede’s first season did allude to the return of a familiar original series character that was conspicuously missing thus far. There’s always room for more villains and other supporting characters to pop up in the next installments, as well as new elements of the expanded story within the source material. I just hope they also find a way to fit Kuroneko back in for at least a cameo. The familiar silly black cat was a missed opportunity in Stampede, in my book at least.

If you are a fan of the original series, I implore you to give Trigun Stampede a chance. If you haven’t watched any of the series yet – old or new – I do not envy your decision between original and new series, but once you’ve watched one, I encourage you to watch the other. Stampede is definitely an easier binge with only 12 episodes compared to the original’s 26 + movie, but I’d have to say it’s well worth the time spent to view both perspectives. 


 
Trigun Rotten Tomatoes Critic Score – 100%
Trigun Stampede Rotten Tomatoes Critic Score – 100%
Trigun Rotten Tomatoes Audience Score – 88%
Ttrigun Stampede Rotten Tomatoes Audience Score – 78%
Metascore – None (both)
Metacritic User Score – None (both)
Trigun IMDB Score – 8.2/10
Trigun: Stampede IMDB Score – 7.3/10
 
Trust the Dice: Cat’s Rating:
Trigun – 4.5/5
Trigun: Stampede – 4.5/5

 
Trigun: Stampede Trailer:

Trigun (1998) Trailer:

Wednesday, March 22, 2023

Dungeons & Dragons: Honor Among Thieves (2023)

 
 
Movie Name/Year: Dungeons & Dragons: Honor Among Thieves (2023)
Genre: Action, Adventure, Fantasy
Length:  2h 14min
Rating: PG-13
Production/Distribution: Paramount Pictures, Entertainment One, Allspark Pictures, Hasbro Studios, Hasbro, Paramount Pictures International, United International Pictures (UIP), Universal Pictures International (UPI)
Director: John Francis Daley, Jonathan Goldstein
Writers: Michael Gilio, John Francis Daley, Chris McKay, Jonathan Goldstein
Actors: Chris Pine, Michelle Rodriguez, Hugh Grant, Rege-Jean Page, Justice Smith, Sophia Lillis, Alexis Rodney, Bryan Larkin, Chloe Coleman, Daisy Head, Dan Poole, Edgar Abram, Jason Wong, Kenneth Collard, Lati Gbaja, Nicholas Blane, Sophia Eleni, Spencer Wilding, Bradley Cooper
 
IMDb Blurb: A charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people.
 
 
Cat’s Point of View:
Where do I even begin? I have so many thoughts swirling through me in the wake of watching Dungeons & Dragons: Honor Among Thieves. I am ecstatic to advise that none of them are patently negative. 

I suppose we should just roll initiative and start from the top. 

When I penned the Top 20 Movies to Look Out for in March 2023 article, I expressed my decidedly few reservations about watching this movie. I spent a long time debating with myself whether or not I felt I needed to make the proverbial stand because of Hasbro’s recent bad behavior or if there were more tick marks in the positives column after all. Then I read an announcement that Amazon Prime members were getting an opportunity for a special early screening of the film on March 19th. It was my husband’s birthday weekend and the excitement that our whole family had for that experience helped me make up my mind. 
 
 
For those die-hard D&D gamers, fans, and content creators alike who are aware of what happened with Wizards of the Coast and the Open Gaming License debacle, please understand that this was not a decision made lightly. Our family has deep-rooted ties to the D&D franchise dating back to its origins. My husband used to game at Gygax’s table and was the one that brought me into my love for the tabletop game. I was a fan, however, long before I rolled any dice due to the Saturday morning cartoon that ran from 1983-1985. It remains one of my favorites of all time. 

Those that love this framework that gives imagination flight and teaches long-form storytelling, group dynamics, and critical thinking deserved a movie that got it all right. There have been attempts in the past that fell short of expectations. It was about time that mainstream Hollywood took this corner of geek culture seriously. That was what got my attention the very first time I saw the trailer. It felt like the time had finally arrived. 

I was not disappointed. 
 

There are two primary facets to my review of Dungeons & Dragons: Honor Among Thieves. The first is this - you don’t have to know anything about D&D to enjoy this movie. 

Anyone who simply enjoys the fantasy and action/adventure genres should find plenty to love within this production. There are heists, castles, dazzling action, gorgeous special effects with a liberal use of practical, interesting in-depth characters, and freaking dragons. There’s excellent fight choreography and skillful cinematography. The humor was on point, as well. Even the end credits had me giggling due to the animated segments reminded me of the style used by Monty Python. 

Then you add in this fantastic cast, and you’ve got a blockbuster movie by all accounts. Hugh Grant (Florence Foster Jenkins, Paddington 2, The Undoing), Chris Pine (Outlaw King, Spider-Man: Into the Spider-Verse, All the Old Knives), and Regé-Jean Page (Bridgerton, The Gray Man, The Sandman) would be enough to lend weight to most films, but then their presence barely scratched the surface. Michelle Rodriguez (Widows, Alita: Battle Angel, F9: The Fast Saga), Justice Smith (Pokemon: Detective Pikachu, Ron's Gone Wrong, Jurassic World: Dominion), Sophia Lillis (It, Gretel & Hansel, I Am Not Okay with This), and Daisy Head (Ophelia, Wrong Turn, Shadow and Bone) are recognizable in their own right for their excellent work. 
 

You don’t have to be someone who plays D&D to enjoy Dungeons & Dragons: Honor Among Thieves. I promise. 

It does, however, add extra depth to this film for those that do. This section of my review is for all of you out there. 

This is the first time I’ve watched a D&D movie where I recognized creatures, spells, locations, and lore-based characters from the source material. The scenes with the owl-bear shifted druid, the mimic, and the gelatinous cube were everything I hoped they would be and then some. There are even more creature-related nuggets within this production, and so many Easter Eggs but I don’t want to spoil all of the “OOH!” moments. 

The chromatic dragons were represented accurately, as well as all of the other races they chose to depict within the melting pot of the Forgotten Realms setting. Well…except one. My ONLY quibble with the entire movie was the practical effects used for a single pair of background characters. It was a single drop of meh within an ocean of excitement and happiness. 
 

Dungeons & Dragons: Honor Among Thieves felt like I was watching a real campaign come to life on the screen. The cast worked so well within their roles - both within the story and as depicting their character classes. 

If there were faults within this movie, I was so giddy about everything as a whole that I didn’t notice and I honestly wouldn’t care. We need more of this, and I’m hopeful that this can be the beginning of a D&D based cinematic universe. The story within this film would allow for that, but even if not that - the vast volumes of source material out there leave things open to endless possibilities. I’m going to keep my fingers crossed. 

If you get a chance to watch Dungeons & Dragons: Honor Among Thieves, by all means please do so. It’s the fun and exciting time we all enjoy when we go to the movies, and it’s just the sort of balm for the soul while there’s so much negativity in the news and world at large. 

Dungeons & Dragons: Honor Among Thieves begins to hit theater screens with some sneek peek showings as early as March 26th, though its wide release date remains March 31st. No streaming information is available at this time, though since Paramount is one of the production companies involved, it’s likely to hit Paramount+ after the prerequisite theatrical run.
 
  
Rotten Tomatoes Critic Score – 86%
Rotten Tomatoes Audience Score –None
Metascore – 76%
Metacritic User Score – None
IMDB Score – None
 
Trust the Dice: Cat’s Rating – 5/5

P.S. - There is a brief mid-credits scene, as well as animated vignettes during the beginning of the credits.

Movie Trailer:

Wednesday, October 12, 2022

Ominous October - Hellraiser (2022)



Streaming Service: Hulu
Movie Name/Year: Hellraiser (2022)
Genre: Horror, Mystery, Thriller
Length: 2h 1min
Rating: R
Production/Distribution: 20th Century Studios, 247Hub, Phantom Four Films, Spyglass Media Group, Hulu
Director: David Bruckner
Writers: Ben Collins, Luke Piotrowski, David S. Goyer, Clive Barker
Actors: Jamie Clayton, Odessa A’zion, Goran Vidnjic, Selina Lo, Hiam Abbass, Brandon Flynn, Drew Starkey, Jason Liles, Aoife Hinds
 
IMDb Blurb: A take on Clive Barker's 1987 horror classic where a young woman struggling with addiction comes into possession of an ancient puzzle box, unaware that its purpose is to summon the Cenobites.

 
Cat’s Point of View:
Where do I even begin? When the original Hellraiser (1987) hit theaters, it was a big deal. The visuals from the trailers and posters promised some good scary fun and horror skirting the edge of taboo. Of course, at that time I still wasn’t allowed to watch R-rated movies, so I had to wait until much later to actually experience Hellraiser. The image of “Pinhead,” as the ‘lead Cenobite’ has forever been dubbed, and became enmeshed in pop culture so that it was inescapable even without seeing the whole film. You could say I was on pins and needles in anticipation of watching the franchise. (I couldn’t help it.)
 
It would be fair to say the same was relevant now, as Selina and I both listed this new Hellraiser as our #5 pick on October’s Top 20 list.
 
While some of the subsequent sequels weren’t necessarily as well-received, Hellraiser left a huge impact on the horror genre. That shouldn’t have been much of a surprise, since the source of the story came from the mind of one of the masters of horror, Clive Barker (The Midnight Meat Train, Candyman, Hellbound Laments). It was his novella, Hellbound Heart, which started it all. I’ve enjoyed his work and was happy to hear that this new incarnation of Hellraiser was returning closer to text than the prior iterations.

 
How so, you might wonder? It turns out that Barker really hasn’t loved the moniker that audiences have given his precisely-pinned purveyor of taboo and hellish “delights.” Thus, “Pinhead” has been rebranded a bit as the Hell Priest, or simply “The Priest.”
 
Another change-up came in the form of casting for this central character. I’ve heard mixed reactions to the fact that the new incarnation of the role went to Jamie Clayton (The Snowman, Sense8, Designated Survivor). Let me tell you, though; she did a phenomenal job with the part. In Barker’s original story, the Hell Priest was portrayed as a bit of an androgynous being with a somewhat feminine voice. Clayton nailed it. (Pun intended.) For those up in arms about the choice, just keep in mind that the original actor for Pinhead, Doug Bradley (Book of Blood, Howard Lovecraft and the Frozen Kingdom, Dota: Dragon's Blood), went on Twitter to praise Clayton’s performance and show his support.

 
Finally, the aesthetic of the Cenobites got a bit of an update. Director David Bruckner (The Signal, The Ritual, The Night House) worked with Barker on some of these concepts for the film. They decided that the slick BDSM wear that we’re accustomed to seeing these otherworldly beings wear has become more mainstream these days, so wouldn’t deliver the same horror or shock factor that it did back when this franchise originally launched. Instead, this new Hellraiser gives us a vision of beings that truly take pleasure in pain and suffering.
 
Bruckner is a prime example of why we continue to relish diving into horror anthologies when they present themselves -- such as ABCs of Death (2012) or V/H/S (2012). Bruckner, in fact, directed the segment titled “The Accident” in the first V/H/S. You never know when a really promising director will pop up. I’m actually excited that he’s reported to be involved with the production of the upcoming V/H/S/85, which was just recently announced to land on Shudder in 2023.  I digress…

 
I really enjoyed how the story for this new Hellraiser played out. There were twists and turns as the infamous puzzle box of pain wreaked havoc upon the unsuspecting. I couldn’t even begin to list the elements of the production that really had me giddy, as it would be awash with spoilers. Hellraiser continued to pose the question of how far someone would go to get what they wanted, and also the choices made when given the opportunity. If you dig deep, you’d find questions of morality, lessons on being careful about what you wish for, and much more – but that’s not really why we watch these movies, right? It’s the body horror and slasher thrills that tend to draw the box office, but I can’t help but like the intellectual side of it, too.
 
Odessa A’zion’s (Nashville, Am I OK?, Good Girl Jane) character, Riley, had a compelling story as the primary protagonist. I was invested in her struggle as she fought her own personal demons even before she had to take on literal ones. Her experience with the cursed puzzle box was quite the rollercoaster.
 
I’m actually excited to see where this franchise goes from here.
 
You can find Hellraiser streaming on Hulu. Its October release this year was well-timed as a great addition to this spooky season's Halloween watch lists.

  
Rotten Tomatoes Critic Score – 67%
Rotten Tomatoes Audience Score – 64%
Metascore – 56%
Metacritic User Score – 6.1/10
IMDB Score – 6.2/10
 
Trust the Dice: Cat’s Rating – 4/5
 
Movie Trailer:

Wednesday, September 29, 2021

My Little Pony: A New Generation (2021)


Streaming Service: Netflix
Movie Name/YearMy Little Pony: A New Generation (2021)
Genre: Adventure, Comedy, Animation
Length: 90 minutes
Rating: PG
Production/Distribution: Entertainment One, Boulder Media, Netflix, Allspark Animation, Hasbro Studios, Hasbro, Central Partnership, Encore Films, Entertainment One, Golden Village Pictures, Intercontinental Film Distributors
Directors: Robert Cullen, José Luis Ucha, Mark Fattibene
Writers: Gillian Berrow, Robert Cullen, Tim Sullivan, José Luis Ucha, Bonnie Zacherle
Actors: Elizabeth Perkins, James Marsden, Jane Krakowski, Ken Jeong, Kimiko Glenn, Liza Koshy, Michael McKean, Phil LaMarr, Sofia Carson, Vanessa Hudgens
 
Blurb from IMDb:  After the time of the Mane 6, Sunny--a young Earth Pony--and her new Unicorn friend Izzy explore their world and strive to restore Harmony to Equestria.


Cat’s Point of View:
My Little Pony: A New Generation landed at #10 on my Top 20 Movies article for September. It could have been higher on my list. There was just too much competition for the top spots with the films releasing this month.
 
The My Little Pony franchise has always been dear to my heart. One of my favorite things about these ponies is that I get to enjoy them with my daughter. They’ve stayed fresh, relevant, and entertaining – rather than finding themselves in the ‘ugh, mom another old cartoon?’ category.


Needless to say, my now 18-year-old and I had a nice Mom-and-Me moment watching this movie together. We couldn’t wait to see what these new ponies were about, and so we watched on the very day it hit Netflix. We watched it again yesterday just because. It was my daughter’s idea – she loves My Little Pony: A New Generation that much.
 
Let’s get into the movie, itself.
 
I’d have to say that I didn’t mind the fact that this reboot came equipped with the bells and whistles of CGI animation. All of the prior films and TV series have been in traditional animation style. It was fitting as a fresh look for the new story.


The various parts of Equestria that we get to explore in My Little Pony: A New Generation fit well thematically – both with the feel of what has come before and also showing how this production took a step forward. Earth ponies, pegasi, and unicorns each had their own corner of the world that worked wonderfully with their themes and were gorgeous in their details.
 
I could gush on for a very long time about how much care the production took in honoring the ponies of the past. The “Mane 6” were featured, as well as a tidbit of the original Saturday morning cartoon! You could see where some of the ponies in modern-day Equestria are clearly descended from the former main characters (or their families). I’ll spare you the rambling. Just know those Easter Eggs are out there.


The story was really the star here. The cast is awesome, don’t get me wrong; but the narrative transcends the voices. The new characters are great, and exemplify the hope for more unity in the world. I loved how each were so distinct in personality. Unity is something the world needs more of. 

My Little Pony: A New Generation tackled social issues that are affecting the world right now. Misinformation and divisiveness are huge problems. Research, effective communication, open-mindedness, and a willingness to come together are ways we can overcome the situation we find ourselves in. It’s crazy how well animated productions aimed at kids can be just as effective providing lessons for adults, too – without getting the feeling of being preached at.
 
My Little Pony: A New Generation was fresh and fun, as well as funny. Everything was spot on and even exceeded my expectations. I’m seriously hoping that this is the beginning of a new series.
 
You can catch My Little Pony: A New Generation on Netflix now!


Rotten Tomatoes Critic Score –89%
Rotten Tomatoes Audience Score –90%
Metascore – None
Metacritic User Score – 6.8/10
IMDB Score – 7.3/10
 
Trust the Dice: Cat’s Rating – 5/5
 
Movie Trailer:

Friday, April 23, 2021

Mortal Kombat (2021)



Streaming Services: HBO Max
Movie Name/Year: Mortal Kombat (2021)
Genre: Action, Adventure, Fantasy
Length: 110 minutes
Rating: R
Production/Distribution: New Line Cinema, NetherRealm Studios, Atomic Monster, Broken Road Productions, Karo Premiere, Universal Pictures International, Warner Bros. Pictures Germany, Warner Bros. Pictures, Warner Bros. Singapore, Warner Bros., HBO Max
Director: Simon McQuoid
Writer: Greg Russo, Dave Callaham, Oren Uziel, Greg Russo, Ed Boon, John Tobias
Actors: Lewis Tan, Jessica McNamee, Josh Lawson, Joe Taslim, Mehcad Brooks, Matilda Kimber, Laura Brent, Tadanobu Asano, Hiroyuki Sanada, Chin Han, Ludi Lin, Max Huang, Sisi Stringer, Mel Jarnson, Nathan Jones, Daniel Nelson, Ian Streetz, Yukiko Shinohara, Ren Miyagawa, Mia Hall, Angus Sampson, Damon Herriman
 
Blurb from IMDb: MMA fighter Cole Young seeks out Earth's greatest champions in order to stand against the enemies of Outworld in a high stakes battle for the universe.


Selina’s Point of View:
I’m so glad I didn’t see this in theaters for my first watch.
 
Don’t get me wrong, seeing it on the big screen would be a hell of an experience, but I was 100% unable to control my excitement the whole time. I was whooping, and laughing, and making all sorts of noises that would have been unacceptable at the theater.
 
I get my second vaccine in a couple of days, then I’ll be hitting my local theater for a second viewing.
 
This right here is the R-rated masterpiece that fans always deserved.
 
I’ll admit that it’s not perfect. There are a few bits that felt awkward or strangely acted. Like it tried to be campy in those parts but missed the mark. Those moments were noticeable, but not nearly enough to ruin the effect of the entire thing.
 
Cole Young, the main character of the film – portrayed by Lewis Tan (Sacrifice, Mortal Kombat X: Generations, Iron Fist), has not appeared in any games. He adds an unknown factor, and I’m glad they included him. However, it does mean there’s a bit of an ‘origin story’ feel at times.
 
Mortal Kombat, like the games, pulled no punches. It was brutal. Fatalities were included, and they were just as insane as they are in the games. There was blood, gore, and death. It was glorious.
 
The graphics were such an upgrade. Obviously, that was expected. The original film was made in the 90s. Technology has come a long way. Still, it was nice to see that the production company, and creative team, took the flick seriously enough to put together such a gorgeous film.
 

Any time there was lightning, flames, ice, or any other ability, on screen – it appeared flawlessly. Even Goro looked really realistic.
 
Most of the actors perfectly fit their characters.
 
I raved about the images of Sisi Stringer (Bloody Hell, Children of the Corn, Matt Gaffney Must Die) as Mileena before the film came out. She could have used a bit more screen time, and she was great, but she certainly wasn’t the best of them.
 
Mehcad Brooks (Supergirl, True Blood, A Fall from Grace) as Jax was absolutely perfect. In pictures, I wasn’t sure how well he translated into the character, but in motion he was Jax. There was no one else who could have been more Jax.
 
Josh Lawson (The Little Death, Long Story Short, Holly Slept Over), also, fully embodied Kano. He added a much-appreciated dose of comedy. Without that, the brutality might have been a bit much. Joe Taslim (Star Trek Beyond, The Raid: Redemption, Fast & Furious 6) did great at making Sub-Zero threatening and terrifying. He had the intimidation aspect down. Max Huang (Police Story: Lockdown, Time Raiders, Sense8) brought Kung Lao to life and humanized him. Huang made the character feel relatable, but still almost untouchable.
 
I could go on and on about the cast. I wasn’t overly in love with the way Liu Kang was portrayed, but there were no other flaws that I could see.
 
It was a good film. It honored the feel of the controversial Mortal Kombat series. It didn’t seek to remove that controversy, and it gave fans what we wanted.
 
It paid complete respect to the games while still bringing a new life to the story. This is what a video game movie should be.
 
Production companies should take note.
 

Cat’s Point of View:
I have been giddily anticipating the release of this new Mortal Kombat since I first heard about it. I have been a fan of the franchise for a long time.
 
While I was lacking gaming consoles in my youth (unless using a friend or relative’s), I did enjoy playing the original Mortal Kombat game when I found it in arcade settings. It was an iconic and controversial game that had fans clamoring for it and parents railing against the graphic violence. When the original movie released in the summer of 1995, just before my senior year of high school, it was the hot ticket in town. I still listen to some of the songs from the soundtrack today.
 
Of course, that first movie, while satisfying at the time, did have significant room for improvement. I’ve often questioned the casting choice for Lord Raiden. I love Christopher Lambert (Bel Canto, Shadow of the Wolf, The Blacklist), but really? Of course, his signature raspy voice was what likely garnered him the role. He’s still voicing the iconic character in subsequent iterations of the game – most recently Mortal Kombat 11 (2019). I was over the moon when I saw that this new production was getting a more culturally appropriate upgrade with Tadanobu Asano (Battleship, Thor: Ragnarok, Midway) in the electrifying role.
 
Honestly, hats off to the casting of this movie. They really hit it out of the park with this one. I could prattle on about them forever. I’ll spare you that, though, and hit the highlights.
 
First, the martial arts talent is off the chart. Both Ludi Lin (Power Rangers, Aquaman, The Ghost Bride) and Max Huang, playing Liu Kang and Kung Lau respectively, are both former members of Jackie Chan’s (Rush Hour, The Foreigner, Iron Mask) stunt team ‘family.’ Their training with Chan was a considerable asset to the film, especially since Huang was able to draw on that training background in order to assist in making the fight choreography better. While I wasn’t able to dig up the information on the whole cast, I can confirm that they, as well as the actors for Sub-Zero, Hanzo Hasashi, and Cole Young all have extensive martial arts backgrounds and perform their own fight scenes and stunts.
 
Cole Young is an original character introduced by this movie, but I am a huge fan of the actor that plays him already. Lewis Tan caught my attention during Into the Badlands (2015-2019) and Wu Assassins (2019-). He is well-deserving of this role here. While some of the iconic characters from the video game franchise didn’t make it into this movie, I think the reboot benefited from a little bit of ‘fresh blood’ with a new take on the story.
 

I was also doing fangirl cartwheels internally when I saw that Hiroyuki Sanada (47 Ronin, Helix, The Catcher Was a Spy) was cast here as Hanzo Hasashi. He’s one of my favorite Japanese actors and his range is phenomenal – both dramatically and in action scenes.
 
As I said, I could ramble forever. Though, I’ll try to reign myself in by switching up here. Let’s talk setting and special effects.
 
This Mortal Kombat film is said to be the biggest budgeted movie to film in South Australia, and I think they got a lot of bang out of those budget bucks because of the location. The use of the scenery to give a remote and otherworldly feel to the film was amazing. Further, the special effects weren’t too over-the-top. They enhanced the supernatural aspects of the film – such as Raiden’s lightning, Sub Zero’s ice, and Liu Kang’s fire, etc. – without making things cheesy. It’s said that the director wanted to use as little green-screen as possible.
 
Some might wonder about the well-known brutality of the fatalities involved with the fighting. Mortal Kombat pulled no punches with those. There’s a lot of blood and gore to be had with some of these fights. This film is definitely deserving of its R-rating. Keep the little kids out of the room when you watch this one.
 
I am seriously impressed that this was Simon McQuoid’s directorial debut. Of course, he did have a great team of producers to back him up – including James Wan (Insidious, Furious 7, Aquaman). I’m definitely looking forward to what he has in store for us in the future, and hope that there is a sequel in the works, at the very least.
 
For anyone that had any doubts about this new iteration of the beloved game franchise translating to the movie screen, I can assure you that this movie didn’t disappoint at all. I’m not even mad about the characters that were absent from this story – because that leaves room for more stories in the future. The ending here certainly left room for that to happen. Let’s keep our fingers crossed.
 
I have a feeling that this is going to be the next movie to break pandemic box office records, considering the trailer alone has already smashed streaming records. If you have the chance to safely see it on the big screen, I encourage you to do so. Otherwise, HBO Max is an excellent alternative.
 

Rotten Tomatoes Critic Score – 56%
Rotten Tomatoes Audience Score – 89%
Metascore – 44/100
Metacritic User Score – 6.1/10
IMDB Score – 6.8/10
 
Trust the Dice: Selina’s Rating4.5/5
Trust the Dice: Cat’s Rating4.5/5
 
Movie Trailer: