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Streaming Service: Peacock Movie Name/Year: Five Nights at Freddy's (2023) Genre: Horror, Mystery, Thriller Length: 1h 49min Rating: PG-13 Production/Distribution: Universal Pictures,
Blumhouse Productions, ScottGames, Peacock Director: Emma Tammi Writer: Scott Cawthon, Seth Cuddeback, Emma Tammi, Chris Lee Hill,
Tyler MacIntyre Actors: Josh Hutcherson, Piper Rubio, Elizabeth Lail, Matthew
Lillard, Mary Stuart Masterson, Kat Connor Sterling, Grant Feely, Asher Colton
Spence, David Huston Doty, Liam Hendrix, Jophielle Love Blurb from IMDb: A troubled security guard begins working at Freddy Fazbear's Pizza. During his first night on the job, he realizes that the night shift won't be so easy to get through. Pretty soon he will unveil what actually happened at Freddy's.
Selina’s Point of View: It’s great to be
back to reviews, and we obviously wanted to start with a film we’ve been
looking forward to for a long time. The frustration of not being able to talk
about Five Nights at Freddy’s when it was finally set to come out had us
practically spitting. If the production companies hadn’t been so damn greedy… But I digress. I didn’t watch Five
Nights at Freddy’s alone. A bunch of us got together and watched it on discord
the night it came out on Peacock. It was our first discord movie night and, I
have to say, doing it for this film was a good idea. There are so many little
meme-able moments woven throughout. Watching it with friends and getting to
talk about those moments as they occur, then theorizing after the film is done,
heightened the whole experience for me. No doubt you’ve
seen the rotten tomatoes scores. Critics had a field day shitting all over it
(30%), while fans brought the audience score all the way up to 87%. In this
case, I see where critics are coming from, but as a fan of the games, I also
see where the audience is coming from. I’m inclined to lean more toward the 87
than the 30. Let me start with
what I agree with the critics on. The tone was a
little… odd. Huge sections of Five Nights at Freddy’s are dedicated to the
main character, Mike, and his guilt over the loss of his little brother. Those
scenes are completely serious and leave little room for levity. Then there are
other scenes where people are getting attacked by a cupcake or having fort-time
with the animatronics. I love a good
horror comedy. So, my issue is not that there were moments of humor and light
mixed in with scares, it’s that the tone was so drastically different between
those scenes that they didn’t even feel like they were part of the same film.
Most of those horror moments weren’t scary. I think there were a few to many
cuts made. It all might have made more sense with the added scenes. I have gotten my
hands on some of the script that was cut after they opted to make the movie
PG-13. When they were going for an R-rated, there were some seriously scary and
brutal scenes written in that script. I really believe this is one flick that
would have benefited from that R-rating.
Now that we have
the bad out of the way, let’s talk about all the good. Any fan of video
games knows that the companies rarely get it right when they create an
adaptation. We all wince when we first see the announcements. It’s as if the
companies don’t bother to research the games. Instead, they seem to create
movies based on a list of character names and plot guessing. That is not an
issue here. Scott Cawthon (Freddy
& Friends: On Tour, Josh the Octoling Shorts, Five Nights at Freddy's:
Security Breach) is the creator of Five Nights at Freddy’s. He not
only had a hand in writing this adaptation, but he also had control over who
directed it and the people tapped to play the characters. He shied away from
solely using CGI, using live action options when he could. He had our favorite
murderous animatronics created by Jim Henson’s Creature Shop – which is a
choice you have to respect. It gave them an uncanny valley feel when they
moved, as if you could see the people trapped inside, but it didn’t make them
too human either. Because Cawthon
was involved throughout every part of the film, Five Nights at Freddy’s
sticks extremely close to the actual lore of the games (and books) from a time
when he was in control of them. Then there’s the
acting, which you will find no fault in. Josh Hutcherson (Epic,
Ultraman, The Hunger Games) leaves it all on camera whenever he’s working. He
doesn’t have a phone-it-in mode. Regardless of the part he always gives it his
all, and that’s very apparent here. Matthew Lillard (The Bridge, Scream, SLC
Punk!) was also a fantastic choice for
Steve Raglan. I have a lot of reasons for this belief, but they stray into
spoiler territory, so I’m not going to put them here. I will say that most of
the meme-able content comes from him. Piper Rubio (Holly
& Ivy, Pretzel and the Puppies, Unstable) was believable in her part as
well. Children actors in horror films have it rough, because they aren’t given
the whole story of what they’re acting in. Rubio manages to hide that fact from
the audience, which worked out well. When it comes
down to it, fans of Five Nights at Freddy’s are going to enjoy the film.
It’s a good first step that sets up the second to be even better.
Cat’s Point of View: Fans of the Five
Nights at Freddy’s (FNAF) game series have been waiting for the
movie adaptation for years now. There was a rollercoaster of anticipation and
frustration as the will-they or won’t-they of the development process moved
along like a herd of turtles. While we were waiting, we got a taste of
murderous animatronic insanity with Willy's Wonderland (2021). Fans of FNAF
knew it was derivative, but it gave us a splatter-fest and crazy chaos to tide
us over a little while – not that it was planned that way or anything. That was
just the way it worked out. It whet our appetites while we still hungered for
‘the real thing.’ Now that the
official Five Nights at Freddy’s has hit big and small screens alike,
fans and audiences new to the stories have rushed to watch our hopes realized…
all the while crossing our fingers that it wouldn’t disappoint. I loved it. I
also watched Five Nights at Freddy’s with my daughter, and it was fun to
watch her reactions to the movie. She just happened to have the remote while we
were watching via streaming, and she actually paused the film in a couple
places so she could hop out of her chair and bounce around with glee at little
moments and Easter Eggs that excited her. You see, she has been a monumental
fan of FNAF for years now. She watched so many play-throughs of the
games and has devoured all the game theories and lore content available online.
FNAF was her introduction into horror. Most of my knowledge of this game
series, its characters, and associated concepts came from her excited
explanations before I ever even played the nerve-jangling games, myself. (I
give serious props to VR players. I noped out within minutes.) The point I’m
getting around to is that we enjoyed the experience together and have great
respect for the final product that arrived amidst a time of turmoil in the film
industry. Five Nights at Freddy’s has the stamp of approval of my
resident superfan.
Was it perfect?
Not exactly. This movie did, however, treat the lore well and even gave a nod
to the online gamer streamers that helped launch FNAF into the viral hit
the games have been. The plot-twist in Five Nights at Freddy’s was also
very satisfactory and caught me off-guard in a way that caused me to gasp and
then face-palm as my mind hurriedly put the clues together in retrospect. The cast was
amazing. Josh Hutcherson was a great pick for the brother in a desperate enough
situation to take the overnight security job. I have enjoyed watching his
cinematic journey ever since he brought me to tears in Bridge to Terabithia
(2007). I was also seriously giddy that Matthew Lillard was also involved in Five
Nights at Freddy’s. It’s been a while since I’ve seen him in a horror
flick. If anyone was going to take the FNAF’s mastermind and creator
Scott Cawthon’s place as “phone guy,” Lillard was perfect. Young Piper Rubio also
impressed me with her performance. The only issue I
had with Five Nights at Freddy’s was that the movie didn’t quite capture
the same level of dread and suspense that the games are well known for.
Understandably, for cinematic purposes it couldn’t be exactly like the gameplay,
but that element was slightly lacking. I know that director Emma Tammi (The
Wind, The Left Right Game, Into the Dark) is capable of that very feeling
because her atmospheric and suspenseful movie The Wind (2018) was
steeped in that eerie emotion. Perhaps future installments in this burgeoning
franchise might take that step to round out the experience. I wasn’t even mad
that the production team took a PG-13 route with minimal gore. That’s not
really what this series has been about at its core. It’s a lot of psychological
horror and jump-scares. Audiences know that bloody and horribly gruesome things
have happened, but it didn’t need to be front and center on-screen for the
movie to be effective. The FNAF concept would stand up to a more graphic
treatment, but for this first foray into this realm of haunted children’s
attractions, this was satisfactory. Five
Nights at Freddy’s
is a film I have recommended to friends already and we will likely be watching
it again in the future. In the meantime, we will anticipate and cross our
fingers that the studio and production team grant our wish for sequels
exploring some of the other Five Nights at Freddy’s lore and characters.
Rotten Tomatoes Critic Score –30% Rotten Tomatoes Audience Score – 87% Metascore – 33% Metacritic User Score – 8.0 IMDB Score –5.5/10 Trust the Dice: Selina’s Rating – 3.5/5 Trust the Dice: Cat’s Rating – 4.5/5 Movie Trailer:
Series Name/Year: Trigun(1998) Series Name/Year: Trigun Stampede(2023-) Streaming Service (Both): Crunchyroll Genres (Both): Animation, Action,
Adventure, Comedy, Drama, Sci-Fi, Western Average Episode Length -
Trigun: 24 min (1 Season, 26 episodes) Average Episode Length -
Trigun Stampede: 24min (1 Season, 12 episodes) Rating (Both): TV-14 Director - Trigun: Satoshi Nishimura Directors - Trigun
Stampede: Kenji Muto, Minoru Yamaoka, Naomichi Yamato, Hiroshi
Nishikiori, Mie Ôishi Writers - Trigun: Yôsuke Kuroda, Yasuhiro
Nightow Writers - Trigun Stampede: Tatsuro Inamoto, Yasuhiro
Nightow, Shin Okashima, Takehiko Okishi, Yoshihisa Ueda Actors - Trigun: -Japanese Cast: Masaya Onosaka, Satsuki
Yukino, Hiromi Tsuru, Show Hayami, Tôru Furusawa, Masamichi Ota, Aya Hisakawa,
Toshihiko Seki, Kôki Miyata - English Cast: Johnny Yong Bosch, Lia Sargent,
Dorothy Elias-Fahn, Jeff Nimoy, Kirk Baily, Bridget Hoffman, Richard Cansino,
Bryce Papenbrook, Joshua Seth Actors - Trigun Stampede: - Japanese Cast: Yoshitsugu Matsuoka, Sakura Ando,
Kenji Matsuda, Yoshimasa Hosoya, Junya Ikeda, Yumiri Hanamori, Tomoyo Kurosawa,
Tarako, Ryûsei Nakao, Maaya Sakamoto, Kimiko Saitô, Mirei Kumagai - English Cast: Johnny Yong Bosch, Sarah Roach, Ben
Bryant, David Matranga, Austin Tindle, Kristen McGuire, Madeleine Morris, Megan
Shipman, Larry Brantley, Emily Fajardo, Lydia Mackay IMDb Blurb - Trigun: Vash the Stampede is the
most infamous outlaw on the planet Gunsmoke and with a 60 billion double dollar
price on his head the most sought after! IMDb Blurb - Trigun
Stampede: Follow gunman Vash the Stampede as he struggles to
maintain his pacifist ways while avoiding the immense bounty on his head.
Cat’s Point of View: Before we
delve into the warm fuzzies of the Holiday Season – better yet, before we
return to our more usual review fare with the end of the SAG-AFTRA strike; I
thought I’d dive into one of my favorite Japanese manga adaptations: Trigun.
Of course,
there’s more than 1 series to mention, considering the freshly released Trigun
Stampede that premiered this year. Both series approach the same material
(for the most part) from different perspectives, and I find both of them
excellent in their own ways.
I have a
bit of a soft spot for westerns. Couple that with my love of science fiction
and adventure and Trigun just started checking a lot of boxes in the
positive column as I caught the original series airing on Adult Swim years ago.
If I had
to pick some well known titles to mash together to compare Trigun to,
I’d have to say that it would be somewhat like a combination of the world of Mad
Max (1979) and the sci-fi blend in Cowboy Bebop (1998-1999). (Of
course, Trigun was one of Bebop’s contemporaries airing in the
same year.) I adore the blend of action with drama and comedy. Some of the
physical anime gags go a little over-the-top (especially facial features and
expressions). Those really aren’t my favorite bits, but everything else about
the series is a wonderful blend of chaos, futuristic steampunk, and the visuals
of an alternate world “old West.”
Before I
go any further, I feel I do need to warn that this review will inherently
contain some mild SPOILERS regarding the Trigun storyline continuity.
The 1998 series and the 2023 series approach Vash’s story from different points
in the timeline and some bits of information revealed as a surprise or
plot-twist late in the Trigun original series are front and center in
the very first episodes of the Trigun Stampede series. Further, anyone
who has watched the original series will generally know most of what will
happen in Trigun Stampede, however not everything is shown in this first
season. There’s room for the “missing characters” (to some extent) and other
plot elements to be explored in season 2 and potentially beyond.
First,
let’s talk animation style. With the 20-plus years between Trigun and TrigunStampede, it’s a given that animation production methods and styles will
have changed over time. 1998’s series fits right in with the high quality of
its contemporaries. The action was handled really well, and not all of the
comedy digressed into “comicalization” or simplistically exaggerated facial
expressions for the characters. Hey, I’m not knocking that stylistic choice –
it’s just not my preferred cup of tea. Even so, plenty of my favorite series
utilize that affectation as a common anime trope. It doesn’t generally impact
my enjoyment.
The Trigun
Stampede series is rather straight-shooting in a seamless animation style
that remains uniform, even while still delivering the moments of emotion and
comedy. The new style is clearly rendered in a digital format, though still
retains much of the “old school” animation charm rather than the shiny plastic
nature of most 3D animation. The action is fluid and well done, and Stampede
also utilizes a more modern approach to cinematography. As an example, there’s
one scene in an early episode of Stampede that comes to mind where Vash
is using parkour as he dodges bullets, and as he flips onto another rooftop or
similar surface the camera does a rotation with him. (This scene is actually
shown in the music video that accompanies the opening theme music for Stampede.)
Now let’s
get into the story a bit. Trigun Stampede might be hard for some fans of
the original series to take in at first because of some changes and/or seeming
omissions. Some characters aren’t seen that are in the 1998 series and even the
world has a different name. Previously called Gunsmoke, it’s now called Nomans
Land. Some of the villain-of-the-week characters don’t make an appearance, and
even some of the Gung-Ho Guns don’t show. Some characters have different backgrounds…
you get the picture.
Most of
the differences are honestly splitting hairs, in my opinion. Stampede is
not worse for wear for these changes. Honestly, it felt like the story was more
cohesive and streamlined. It felt like the original series had more
light-hearted moments sprinkled through the explosions, raining bullets,
questionable pick-up lines, and camaraderie. Trigun Stampede has the
comedy and action down, but also leans in a bit more to drama, ethics,
discrimination, personal moral code, and existential questions. It’s a bit
heavier in tone in some places, considering you know from the outset what the
relationship is between Vash and Knives and get an inkling as to what the
stakes are overall.
There’s
one main thing to keep in mind, however. When the 1998 series ran, the manga
was not finished by a long shot. Both series are made from a combination of Trigun
and Trigun Maximum. The latter just wasn’t complete when the first
series made its run. Maximum also wasn’t a reboot of the original Trigun
manga, but a continuation. The name only changed due to legal red tape because
the publisher changed, etc. Stampede now has the full manga run at its
disposal to draw from, and has the opportunity to spin the entire story in a
different way than presented in 1998.
Both
versions of the series remain true to Vash’s core journey – both literal and
figurative. He strives to put together what went wrong in the past and find
some redemption in his life. Vash has profound sadness within him, and yet shows a great understanding and zest for life and laughter all the same. Throughout both series, in the face of daunting circumstances, he maintains his beliefs in finding alternate
solutions to violence. Though, when violence cannot be avoided, he shows
strength and stands up to defend even those that have tried to hurt him. In
this way, the story of Trigun in both series reminds me of the way of life and perspective
of the late Gandhi and makes this story that much more powerful.
“My creed of nonviolence is an extremely active force. It has no
room for cowardice or even weakness. There is hope for a violent man to be some
day non-violent, but there is none for a coward. I have, therefore, said more
than once....that, if we do not know how to defend ourselves, our women and our
places of worship by the force of suffering, i.e., nonviolence, we must, if we
are men, be at least able to defend all these by fighting.” - M.K. Gandhi
As usual,
I feel I must disclose that, at this time, I haven’t read the manga to know
specifically what differences exist between either Trigun’s original
series or Stampede and the source material. There are many anime
resource sites, forums, and databases you are welcome to peruse should you wish
to look up the play-by-play yourself.
One of the
things that brings me great joy about all of the Trigun series is that, at
least for the English dubbed versions, Johnny Yong Bosch (Black Clover,
Demon Slayer: Kimetsu no Yaiba, Bleach: Thousand Year Blood War) has
remained the voice of Vash the Stampede throughout. He seems to be the
only consistent cast member to return through both series and the 2010
stand-alone movie. He brings something great to all of the characters he brings
to life on the screen, and seemingly effortlessly evokes both their strengths
and vulnerabilities.
Yes, I did
mention that there was a Trigun movie. Trigun: Badlands Rumble
hit screens in 2010 as an independent story that could have taken place
somewhere in the middle of the continuity of the 1998 series. It didn’t pick up
from the end, as some might have hoped. In that way it shared even more in
common with the Bebop series, as Cowboy Bebop: The Movie (2001)
did the same thing (much to my dismay).
Trigun
Stampede does have
a 2nd season announced, though details are scarce as to the timeline
for production. The ending of Stampede’s first season did allude to the
return of a familiar original series character that was conspicuously missing
thus far. There’s always room for more villains and other supporting characters
to pop up in the next installments, as well as new elements of the expanded
story within the source material. I just hope they also find a way to fit
Kuroneko back in for at least a cameo. The familiar silly black cat was a
missed opportunity in Stampede, in my book at least.
If you are
a fan of the original series, I implore you to give Trigun Stampede a
chance. If you haven’t watched any of the series yet – old or new – I do not
envy your decision between original and new series, but once you’ve watched one,
I encourage you to watch the other. Stampede is definitely an easier
binge with only 12 episodes compared to the original’s 26 + movie, but I’d have
to say it’s well worth the time spent to view both perspectives.