Showing posts with label Overrated. Show all posts
Showing posts with label Overrated. Show all posts

Friday, June 9, 2017

Blue is the Warmest Color (2013) - Foreign Film Friday



Number Rolled: 7
Movie Name/Year: Blue is the Warmest Color (2013)
Tagline: None
Genre: Drama, Romance
Length: 179 minutes
Rating: NC-17
Production Companies: Quat'sous Films, Wild Bunch, France 2 Cinéma, Scope Pictures, Vértigo Films, Radio Télévision Belge Francophone (RTBF), Canal+, Ciné+, France 2 (FR2), Eurimages, Région Nord-Pas-de-Calais, Centre National de la Cinématographie (CNC), Pictanovo Nord-Pas-de-Calais, France Télévision, Le Tax Shelter du Gouvernement Fédéral de Belgique, Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles, Scope Pictures
Producer: Brahim Chioua, Laurence Clerc, Francois Guerrar, Abdellatif Kechiche, Vincent Maraval, Olivier Thery Lapiney
Director: Abdellatif Kechiche
Writer: Abdellatif Kechiche, Ghalia Lacroix, Julie Maroh
Actors: Lea Seydoux, Adele Exarchopoulos, Salim Kechiouche, Aurelien Recoing, Catherine Salee, Benjamin Siksou, Mona Walravens, Alma Jodorowsky, Jeremie Laheurte, Anne Loiret, Bonit Pilot, Sandor Funtek, Fanny Maurin, Maelys Cabezon, Samir Bella, Tom Hurier, Manon Piette, Quentin Medrinal, Peter Assogbavi, Wisdom Ayanou, Stephane Mercoyrol, Lucie Bibal, Baya Rehaz, Marilyne Chanaud, Camille Rutherford, Michael Skal
Stunt Doubles: None

Blurb from Netflix: Determined to fall in love, 15-year-old Adele is focused on boys. But it’s a blue-haired girl she meets on the street who really piques her interest.


Selina’s Point of View:
We only have a few films on our queue that fall into the NC-17 category, so I don’t really bother to look at the MPAA rating before I start watching. I really regretted that choice here because I had no clue I was walking face-first into a three-hour long porn.

Now, I have no problem with sex scenes in movies. Sometimes they add another layer to the film. I mean, could you imagine American Pie (1999) without the scene where Jason Biggs (Teenage Mutant Ninja Turtles, Orange is the New Black, Two for One) gets intimate with some apple filling? Sure, there are more sweet and genuine examples, but my brain stopped working about forty-five minutes ago.

This film didn’t just use sex to elevate the story, though. It made sex the core of the story, and, yes, it was graphic. It earned that NC-17 rating and then some. It was pretty much just an emotional porn… which I feel cheapened the romance between the two main characters.

That’s what I took away from the film.

Technically speaking, it was a beautiful film. But that’s technically speaking. We don’t really rely on that here at Trust the Dice. We don’t write about whether or not a room full of directors and writers would enjoy the film, we want to know if a room full of general audience members would. People who’ve never been to film school.


My thought is that, no, a general audience wouldn’t enjoy this film.

Not only is the movie painfully long, it has very little substance outside of the stereotypical indie flick base. Nothing really gets solved in it and there’s a kind of choppy jumping around feeling to it. I know it was loved at the film festivals, but I can’t connect the movie I just watched to the amount of love I’ve seen for it on the internet.

If I look past the porny quality to it, I can see aspects of Blue is the Warmest Color that I did enjoy. I sound like I’m giving it a hard time, and I am, but I didn’t HATE it. I wouldn’t watch it again, but I acknowledge that it had some decent aspects.

To be fair, I think a lot of the film was lost on me. Bits of literature were brought up here and there, but it was always from books I’d either never heard of or never read. It’s possible that I might have caught more of the planned nuances if I was familiar with that material.

Aside from that, I found it difficult to watch the main actress, Adele Exarchopoulos (Down By Love, Insecure, Voyage vers la mere). She was a beautiful actress and she can perform a crying scene like no one else… but the way the director had her constantly eating with her mouth wide open made me a little ill.


Cat’s Point of View:
Oh geez, where do I start. I know that sounds ominous – and it should.

Before anyone thinks the worst, I don’t think this was a horrible movie. I just simply didn’t enjoy it.

First of all, the whole thing was way too long. I mean, really? Nearly 3 hours is a bit much for something like this. There were so many long and drawn out scenes of practically nothing going on. 

Some of the shots that gave you the characters’ perspectives were interesting – but did we really need all of that? The movement shots following characters walking weren’t your typical spastic shaky-cam but it was almost as bad with all the bobbing around.

It’s said that they filmed over 800 hours of footage and that a significant bit of Adèle Exarchopoulos’ (Pieces of Me, Les Anarchistes, Orphan) were obtained as the cameras kept rolling on her between scenes as she was walking around or eating, etc. This, of course, explains much. 


The filming is said to have been rather intense, so her deer-in-headlights zombie vibe at least makes sense now. Did we have to capture people eating with their mouths open? It is what it is, however.

For all of the issues I have with this movie, there are still good points. Exarchopoulos was believable in her expression of emotion and I absolutely bought in to her connection with Léa Seydoux (Robin Hood, Midnight in Paris, The Grand Budapest Hotel). The film also manages to be a think-piece without being horrendously pretentious – but only barely. There’s a lot of philosophy woven into the tale, but it’s generally legitimately plot driven.

Speaking of plot driven – there’s quite a bit of nudity in the film. It didn’t feel like it was gratuitous, but that NC-17 rating is legitimate and mostly stems from explicit scenes.

All in all, I don’t feel that my time was wasted in watching this movie, and I did find myself grudgingly sucked in to the emotions of the piece. I just don’t think I’d choose this movie for myself if I were looking for something to watch – and I don’t intend to watch it again.


Languages
Speech Available: French
Subtitles Available: English

Rotten Tomatoes Critic Score – 91%
Rotten Tomatoes Audience Score – 85%
Metascore - 88/100
Metacritic User Score – 7.9/10
IMDB Score – 7.8/10

Trust the Dice: Selina’s Rating2/5
Trust the Dice: Cat’s Rating2/5

P.S.  Based on a graphic novel.

Movie Trailer:

Wednesday, April 19, 2017

7 Chinese Brothers (2015)



Number Rolled: 80
Movie Name/Year: 7 Chinese Brothers (2015)
Tagline: Failure has a new overachiever.
Genre: Comedy (Bullshit!)
Length: 74 minutes
Rating: NR
Production Companies: 8750 Films, Failro House Productions
Producer: Molly Christie Benson, Kevin Corrigan, Seana Flanagan, Christos V. Konstantakopoulos, Nancy Schafer
Director: Bob Byington
Writer: Bob Byington
Actors: Jason Schwartzman, Olympia Dukakis, Tunde Adebimpe, Eleanore Pienta, Stephen Root, Arrow Schwartzman, Jimmy Gonzales, John Gatins, Jonathan Togo, Josh Meyer, Ted Beck, Chris Doubek, Grover Coulson, Alex Karpovsky
Stunt Coordinator: Jeff Schwan

Blurb from Netflix: An apathetic slacker sponging off his grandmother drifts into another dead-end job, unaware that a monster crush is about to change his life.


Selina’s Point of View:
I need to say something. Hipsters get a few things right, most of those things pretty much revolve around food. That said, the hipster trend is the single most annoying sub-culture that I have ever come across. And I have known baby ravers and emos. As much as I can tolerate hipsters having a hand in my food, they need to fuck right off when it comes to my movies.

That’s what this entire film was. It was seventy-four minutes of pure hipster bullshit. Even the title of the film was stupid.

I get it, but I hate it.


The blurb Netflix put out there for this film is also bullshit. Nothing actually changes in the film. The beginning happens. Some shit happens in the middle… and the end of it could have happened without any of the middle. 7 Chinese Brothers could have gotten its point across through a seven-minute short.

In fact, I thought something was about to happen at one point in the film, and I got intrigued… but then it didn’t and I went back to banging the back of my head against my seat and praying for a lightning strike to zap my fucking television screen.

In case I haven’t been clear enough, I don’t recommend this film.


Cat’s Point of View:
It’s ironic that the star of 7 Chinese Brothers, Jason Schwartzman (Marie Antoinette, Moonrise Kingdom, The Overnight), was in an HBO series called Bored to Death (2009-2011) – because that’s exactly what this movie did for me. I might still be kicking, but that’s an hour and sixteen minutes of excruciating boredom that I will never get back.

I was hoping that this movie would be something else. When we were rolling to determine our movie for Wednesday, I thought that this was maybe going to be some sort of action movie. Yeah, I know. I fell into the trap of assuming stereotypes. I hear that nun-looking bell-ringer chanting ‘shame’ behind me right now. So, I guess the movie’s actual plot was a punishment for my faux pas.


All the same, driving through an automated car wash would be more entertaining than this movie was.

There was so much awkwardness in this film. It was heavy with it. The time seemed to creep by. It felt like I’d never get out of this yawn-inducing cringe-fest.

On the bright side? The dog was cute. I imagine they saved a lot of money on trainer fees and whatnot since it was Schwartzman’s own pet.

I’m so glad I don’t have to watch this one ever again.


Languages
Speech Available: English
Subtitles Available: English, Spanish

Rotten Tomatoes Critic Score – 75%
Rotten Tomatoes Audience Score – 43%
Metascore - 56/100
Metacritic User Score – 5.4/10
IMDB Score – 5.7/10

Trust the Dice: Selina’s Rating1/5
Trust the Dice: Cat’s Rating1/5

Trust-the-Dice’s Parental Advisory Rating: PG-13

P.S. Small after credits scene.

Movie Trailer:

Wednesday, January 4, 2017

Happy Christmas (2014)



Number Rolled: 42
Movie Name/Year: Happy Christmas (2014)
Tagline: Family is the gift that keeps on taking.
Genre: Comedy, Drama
Length: 82 minutes
Rating: R
Production Companies: Lucky Coffee Productions
Producer: Tom Aries, Matthew Eggers, Tara Eggers, Tom Eggers, Shelley Fox, Peter Gilbert, Janice Harris, Yra Harris, Breea Klong, Michael Klong, Eddie Linker, Susie Linker, Jeanne McInereney, Karen McKeon, Hartley Meyer, Laura Mizrahi, Theresa Snyder, Joe Swanberg, C.T. Terry, Alicia Van Couvering
Director: Joe Swanberg
Writer: Joe Swanberg
Actors: Anna Kendrick, Melanie Lynskey, Mark Webber, Lena Dunham, Joe Swanberg
Stunt Doubles: N/A

Languages
Speech Available: English
Subtitles Available: English

Blurb from Netflix: After splitting up with her boyfriend just before the holidays, a young woman tries to start over, but her self-destructive behavior gets in the way.

Selina’s Point of View:
Sitting through this film was torture. Not only was it painfully boring and poorly shot, but I fucking HATE Lena Dunham. I just hate her. I viscerally hate her. Even my absolute love for Anna Kendrick couldn’t overshadow it.

Normally, no matter how bad a movie is, when it’s over I feel good. Either because I get to write about it, or because I accomplished the task of removing a film from my list, or because there was something awesome about it.


I don’t feel good.

In fact, I hate Lena Dunham so much that I don’t think I could accurately judge the content of this film, no matter how hard I try. So I’m going to abstain. You’ll have to look to Cat for her opinion.

I wish Anna Kendrick wasn’t a part of this project. I really do. If she wasn’t, I might have noticed Dunham was in it and kept it off both our “Top Movies to Look Out For” list and our queue.

Cat’s Point of View:
I’m a bit torn about this movie.

Part of the quandary I find myself in is due to expectation vs. reality. When we rolled this movie it felt like a bit of a lark because the holiday had just passed. We might have had a technical “Christmas movie” just before, but not anything that screamed ‘tis the season’ at you. I expected something like that, going in.

That’s not what this movie is. Once more, the holiday is landscape here rather than an active participant in what’s going on; with minor exceptions.

I’m going to be honest. I was bored to tears. Straight drama like this doesn’t usually do it for me. This wasn’t even an emotional rollercoaster drama (for which I am thankful). I distinctly remember that there was a point in the movie where I was thinking, “ugh how much longer is this?” and moused over the progress bar, only to see that I had 40 minutes left.

That being said, even though I was bored – the movie wasn’t bad. I wasn’t rolling my eyes or praying for it to end – I just wasn’t into it.


I liked the fact that the couple wasn’t “perfect” and their dynamic was wonderful. I actually loved the way they interacted and handled things. It felt real and far less staged than the melodrama one usually finds on the screen. I absolutely adored their interaction with the little boy. I think that little guy stole the movie for me, really.

Anna Kendrick (Into The Woods, The Hollars, Trolls) and Melanie Lynskey (Flags of Our Fathers, Win Win, Rainbow Time) are also actresses that I really enjoy. It was an interesting turn to see Kendrick in this sort of role; but let me tell you…Lynskey absolutely slayed her part. I got a kick out of the fact she used her native New Zealand accent, as well.

Joe Swanberg (Cats and Trees, V/H/S, Joshy) wore quite a few hats with this film as writer, director, producer, and male lead. He’s also little Jude’s real dad. Looking through his filmography, I was reminded where I’ve seen him before. I would have to say I like this a hell of a lot more than his offering in that horror anthology. It’s really apples and oranges, though.

Not only was the baby actually his child, but the film was shot in his actual house. I think that’s pretty cool. On top of that, the dialogue here was largely improvised. When I first read that after watching the movie, I was skeptical. I did some digging and found some interviews with Lynskey and Swanberg which confirmed it. It seems that this was one of those kismet moments of the right concept finding the right actors and crew. It didn’t feel improvised and had a good flow to it.

While this movie wasn’t the most entertaining for me, I have a hell of a lot more respect for it in retrospect after learning some of these details. Sadly, my score for the film is based on my enjoyment of the movie and not what I feel its overall ‘quality’ is.

Rotten Tomatoes Critic Score – 75%
Rotten Tomatoes Audience Score – 38%

Netflix’s Prediction for Selina – Who cares?/5
Selina’s Trust-the-Dice ScoreNot even fucking worth it./5

Netflix’s Prediction for Cat – 1.5/5
Cat’s Trust-the-Dice Score2/5

P.S. There’s some dialog near the end of the credits, and a long scene after the credits are over. It’s more like an extended scene.

Movie Trailer: