Streaming
Service: Amazon
Prime Video
Movie
Name/Year: Selah
and the Spades (2020)
Genre: Drama
Length: 97 minutes
Rating: R
Production/Distribution: Argent Pictures, Novel
Pictures, MVMT, Cinereach, Secret Engine, Amazon Studios, Amazon Prime Video
Director: Tayarisha Poe
Writer: Tayarisha Poe
Actors: Lovie Simone, Jharrel
Jerome, Celeste O’Connor, Ana Mulvoy Ten, Jesse Williams, Nekhebet Kum Juch,
Evan Roe, Francesca Noel, Henry Hunter Hall, Gina Torres, Krish Bhuva, Greyson
Cage, Benjamin Breault, Cody Sloan, Ali Fisher, Rae Bell, Melissa McMeekin,
Kenneth Isreal, Debbie Aboaba, Jessie Cannizzaro, Luis G. Nuñez
Blurb
from IMDb: Five
factions run the underground life of Haldwell School, a prestigious east coast
boarding school. At the head of the most powerful faction - The Spades - sits
Selah Summers, walking the fine line between being feared and loved.
Selina’s
Point of View:
I am
supremely disappointed.
I had
incredibly high hopes for Selah and the Spades. The trailers that I saw
when I got my Top 20 together were promising, to say the least. They were
beautiful, from a cinematic perspective, and they showed depth in the movie’s
main character and setting. It looked amazing.
A lot
of the time when a film doesn’t live up to my expectations, I can blame my
expectations. I don’t think that’s the case here.
The
first issue I had was with the acting – though I’ll admit that I don’t know if
it was the acting itself or the direction of the actors. Usually, it’s easy to
tell the difference, but not here.
The
actors were not inherently bad. It’s more that there was a quality to the
acting that felt overly choreographed. Now, because the main character had an
obsession with being perfect – that may have been a direction choice. If it
was, I understand why Tayarisha Poe (Two Sentence Horror Stories, Honey and Trombones,
Guisado on Sunset) would go that way, I just don’t think it worked. It kept
pulling me out of the movie.
Since
the manner of acting pulled me out of it, I couldn’t connect. That means I was
bored throughout most of it. It was an hour and a half film and I felt every
single minute of its runtime so much that it felt longer.
Then,
in the ending, there’s no pay off. There’s no reward for sitting through the
whole thing. The characters experience no real arc. Not only that, but the
climax is muted and the denouement is so rushed and overlooked that it feels
like there was no ending at all. The story just cuts out before there’s any
satisfaction for the viewer.
By
the time I closed out of the window, I felt like I had wasted my time. The story
and the plot had so much potential and the film itself was aesthetically
gorgeous. I wanted to come away from it in awe. I would have settled for just a
basic level of enjoyment. Instead, I’m left shaking my head.
I
want to see more from Poe. I want to see her grow and watch future films that might
showcase the actual potential she has.
Cat’s
Point of View:
Selah
and the Spades was
my #14 pick for April 2020’s list of new movies releasing directly to the
internet. I can’t guarantee that it would have made my Top 20 list if the
coronavirus pandemic hadn’t brought mainstream studio releases to a near
standstill.
There
was something compelling about the trailer I watched in my decision-making
process. Herein lies the crux of several of my problems with the movie.
Trailers
are so important – they are what gets the message of a movie crammed into a
nutshell and to the masses of its target audience. It’s what keeps us from
judging solely by the poster. Many of us don’t like to think that we judge a
book by its cover – even though we do, often. I’m not telling you something you
don’t already know, though. I just have to stress that the trailer you watch
before you view this film will likely color your experience of it.
There
are at least 3 trailers for this movie. While, ultimately, the monologue
featured in the trailer I watched does encompass the theme of the movie’s plot,
it doesn’t give a well-rounded view of the film. Viewers would be better served
by either of the others.
I was
expecting something along the lines of a feminist movement among the student
population against some sort of patriarchal misogyny. Nope. That’s not what was
going on here.
Unfortunately,
the film meanders around so slowly that it doesn’t really give itself a chance.
The usual drama and manipulations and jockeying for the position of in-charge
of the most popular group that can be found in most teen and young-adult
school-based productions are present here. Nothing new or exciting really
jumped out at me. The score almost led me to believe I could expect some sort
of jump-scare around the corner due to tonal tension building. Alas, this
wasn’t a teen horror movie in disguise – at least, not in the traditional
sense.
To be
fair, there were some really amazing visuals. Unfortunately, I can’t point them
out for the sake of spoilers, but the one of the trailers gives some of it away
– so be warned. Another bright note was that the issues I have with this film
don’t fall to the acting. I think everyone did a great job with what they had
to work with.
Some
layers of the plot give a bit more depth to what’s going on and the overall
theme of control, but blink and you might miss it.
I
think one of the parts I had the most issue with would be the ending. The movie
closes at such an unfinished moment that it left me rather aggravated.
I did
note that there is a series in pre-production with the same name as the movie.
I can only hope that it shores up the faults of this first project and gives a
resolution to the conclusion of this film. I’ll do my best to reserve further
judgment until that series is released, but I doubt that I could recommend this
movie in good faith until then.
Rotten
Tomatoes Critic Score – 89%
Rotten
Tomatoes Audience Score – 63%
Metascore – 69/100
Metacritic
User Score – 2.8/10
IMDB
Score – 4.5/10
CinemaScore – None
Trust
the Dice: Selina’s Rating – 2/5
Trust
the Dice: Cat’s Rating – 2/5
Movie
Trailer:
No comments:
Post a Comment