Streaming Service: Shudder
Movie Name/Year: Dark Glasses (2022)
Genre: Horror, Mystery, Thriller
Length: 1h 26min
Rating: Unrated
Production/Distribution: Alamode Film, Canal+,
Ciné+, Cinobo, Getaway Films, Lumix Media, Ministero della Cultura, NonStop
Entertainment, NOS Audiovisuais, Panda Lichtspiele Filmverleih, Pierrot Le Fou,
Rai Cinema, Regione Lazio, Russian Report, Shudder, Sky, Urania Pictures S.r.l.,
Vision Distribution, Wild Bunch International
Director: Dario Argento
Writer: Dario Argento, Franco Ferrini
Actors: Ilenia Pastorelli, Asia Argento, Andrea, Gherpelli, Mario Pirrello,
Maria Rosaria Russo, Gennaro Iaccarino, Andrea Zhang
Blurb from IMDb: Diana, a young woman who
lost her sight, finds a guide in a Chinese boy named Chin. Together they will
track down a dangerous killer through the darkness of Italy.
Selina’s Point of View:
I think Dario
Argento (
Creepers, Opera, Deep Red) put all the horror tropes from the
80s into a bag, picked them out blind folded then wrote a movie around what he
pulled. I was seriously hoping to get something a bit better, especially from
Argento. Then again, most of his best works are from the 70s and 80s. Maybe I
should have expected this.
I’ll admit that
the worst of my fears were circumvented. Whenever there’s a story written with
a specific disability in mind, you need to worry about how it’s going to be
handled. The trailer for
Dark Glasses made me worry about how they would
represent blind people. I think it could have done better, but it wasn’t as bad
as I thought it was going to be.
I did think that
some of the scenes going into how the protagonist learned to navigate her life
as a newly blind person were decent.
The scene with
the first kill was also bad ass. It gave me the impression that there would be
some body horror and a slasher feel. The rest of the flick didn’t live up to
that promise though. There wasn’t much body horror after that except for the
tiniest amount at the end.
All-in-all,
Dark
Glasses was basic. It was a trope-filled, slow, disjointed film. Definitely
not one I would choose to watch again.
If you plan to
check it out, it will be available on Shudder this Thursday, October 13.
Cat’s Point of View:
When a trailer
opens with the statement that the film you are about to watch was created by a
country’s “Master of Horror,” it sets a couple of expectations in motion.
When we watched
the trailer for
Dark Glasses prior to putting together October’s Top 20
list, there were some red flags in the teaser that pointed to potential issues.
There was a concern about the perception of those with vision impairment, and whether
the crux of the horror would be based on that concept. I’m generally quick to
play devil’s advocate and lean to the optimistic side of things. I guessed that
it was a perception the trailer put forward rather than the actual plot of the
movie. I was somewhat correct, there. I do, however, remain irked with the
amount revealed by trailers these days. At least it didn’t give away everything
this time.
Unfortunately,
while the newfound vision impairment of the protagonist wasn’t at the core of
Dark
Glasses’ issues – it certainly had them in spades.
My points of
contention with Dark Glasses came from the entirety of the rest of the movie.
It was just clunky. The introduction segment was far longer than it needed to
be. There was nearly 6-minutes of practically nothing. If I were really
grasping at straws I could maybe write some of it off as building tension from
a ‘what the hell is going on’ perspective, or even the symbolism of celestial
events. It just felt pointless and had me looking at the runtime because it
felt like forever.
When the story got
moving, it was somewhat compelling – but felt a little stilted all the same. I
felt some emotion for the characters involved, but also had a lot of
eye-rolling going on. I don’t think I fully recovered from my initial annoyance
if I’m honest. I didn’t quite connect with all of the practical effects, either
– mostly at the end.
Bless their
hearts, they tried.
I do have one
other positive to offer for
Dark Glasses, believe it or not. I didn’t
have problems following along, as I sometimes do when I haven’t really
connected with a subtitled movie. Perhaps I was more invested than I thought I
was, or it made enough sense for me to piece things together without feeling
like I was struggling to read a book and watch something at the same time.
Dark
Glasses does fit into
our theme of ominous and chilling films to partake of in October. It wouldn’t,
however, be at the top of my list of recommendations… if there at all.
Rotten Tomatoes Critic Score – 50%
Rotten Tomatoes Audience Score – None
Metascore – 45%
Metacritic User Score – None
IMDB Score –5.0/10
Trust the Dice: Selina’s Rating – 1.5/5
Trust the Dice: Cat’s Rating – 2.5/5
Trust-the-Dice’s
Parental Advisory Rating:
R
Movie Trailer:
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