Selina’s Point of View:
I need to start off by saying that I hate the trope this film covers. I hate it, because there shouldn’t be a norm for it to be imitating. No one should have to deal with the fear of how someone is going to react to them because of who they love.
That said, it was a really great movie.
This is only Clea DuVall’s (The Intervention, The Handmaid’s Tale, Veep) second writer/director full-length feature film credit. Still, it’s incredible. I haven’t seen her first, but I can tell you that this made me want to. Happiest Season is one of the best rom-com dramas that I have seen in a long time, maybe ever. I felt the situations as though they were nearly first hand, and it dug into that part of me that has never felt like I belonged in a family.
I’d be surprised if DuVall didn’t write the script, at least partially, from her own experiences. It was too honest.
That said, it was a really great movie.
This is only Clea DuVall’s (The Intervention, The Handmaid’s Tale, Veep) second writer/director full-length feature film credit. Still, it’s incredible. I haven’t seen her first, but I can tell you that this made me want to. Happiest Season is one of the best rom-com dramas that I have seen in a long time, maybe ever. I felt the situations as though they were nearly first hand, and it dug into that part of me that has never felt like I belonged in a family.
I’d be surprised if DuVall didn’t write the script, at least partially, from her own experiences. It was too honest.
The family is built up to show this unsupportive group of people, but it goes deeper to show that most of them don’t realize how awful they are to each other. It exhibits a family trying so hard to seem one way that every individual person involved can’t see beyond their own little picture. In that way, it almost feels like there is no antagonist. It’s the situation itself that wears that label.
The poster actually shows each character’s perspective extremely well, just through facial expressions. I normally don’t even bother to mention the poster, but this one gets better the longer you look at it.
As a Christmas film, Happiest Season feels like it properly portrays the anxiety of masking for your family and worrying that if you slip even a little bit, that everything will go wrong. I can absolutely relate to it. I know a lot of people can.
Most films in the holiday genre aren’t really directed toward people who find the entire season anxiety-inducing. When they are, it labels the main character as uncaring, or emotionally constipated. Here, we see the protagonists as people who care so much that they can’t help but be terrified. I think that’s something that’s not represented well enough in holiday films.
I would absolutely recommend Happiest Season for anyone looking for a Christmas setting in a well-written story.
I’ll be honest. I owe Happiest Season an apology. I’m not sure exactly what I was expecting – but it was certainly not the glorious emotional gauntlet I actually experienced.
This felt so grounded. It doesn’t surprise me at all that writer/director Clea DuVall (Argo, American Horror Story, The Intervention) pulled from her own experiences to create this story. While the tale focuses on the gay couple, it also illustrates well that you don’t have to be queer to find yourself wearing a mask in life and the complications of such. While presenting a solid LGBTQ+ story as the focus, this film went the extra mile to give everyone a little something to relate to - all without minimalizing the core issues.
While I don’t feel like this movie will make it into my annual rotation, I certainly wouldn’t mind watching it again and I’d recommend it in a heartbeat.
Rotten Tomatoes Audience Score – 80%
Metascore – 68/100
Metacritic User Score – 8.1/10
IMDB Score – 6.8/10
Thank you for your continued wonderful reviews.
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