Streaming Services: Shudder
Movie Name/Year: The Amusement Park (1973/2021)
Genre: Drama, Horror, Thriller
Length: 52 minutes
Rating: Unrated
Production/Distribution: Laurel Tape & Film,
Lutheran Film Division, Potemkine Films, Shudder
Director: George A. Romero
Writer: Wally Cook
Actors: Lincoln Maazel, Harry Albacker, Phyllis Casterwiler, Pete
Chovan, Marion Cook, Sally Erwin, Michael Gornick, Jack Gottlob, Halem Joseph,
Bob Koppler, Sarah Kurtz, Aleen Palmer, Georgia Palmer, Arthur Schwerin, Bill
Siebart, Gabriel Verbick
Blurb from IMDb: An elderly gentleman goes
for what he assumes will be an ordinary day at the amusement park, only to find
himself in the middle of a hellish nightmare instead.
Selina’s Point of View:
If you are one of
those people who is known to say, “they just don’t make horror films the way
they used to” – then I have good news.
The Amusement Park is a new old
film. I don’t mean that in a hypothetical way.
The
Amusement Park
is a lost George A. Romero (
The Crazies, Night of the Living Dead, Creepshow)
flick that was filmed in 1973. It was found in 2018 and restored. That means
that this old film, is completely new.
In this movie,
Romero was trying to highlight the discrimination and abuse that elders face,
despite the fact that the majority of us will eventually be a part of that
group. He utilized an amusement park as a way to show how people treat the oldest
generation and hypothesized that it’s because of our fear. Not just our fear of
death, but our fear of being in their shoes.
It’s a heavy
subject, and one that a newer film might have glossed over with significant
gore and visual effects – but that would have altered the message. It might
have separated it further from reality and made it all easier to swallow. In
this presentation it’s raw and anxiety inducing.
Without the
Hollywood beautification treatment, we’re left with the bare bones of a
mockumentary/drama. We see a man entering his elderly years with hope, then quickly
learning exactly why he was warned against that. We watch people steal from
him, ignore him, treat him like a freak, and attempt to scam him.
If this had been
released in the 1970s, it would have had the same kind of high ratings it will
have now – but there’d be one difference.
The knowledge
that the subject still holds water 50 years later, would be lost on us.
Everything shown
in the film is recognizable today. The images and sounds may be distinctly
1970s, but the ideas translate through time.
We all make fun
of those prank calls where someone tells us our computer is infected, or that
they’re trying to contact us about our car’s extended warranty – but those
calls aren’t directed at the majority of the population. They are looking for
elderly people who don’t understand technology – or current-day business
practices – so they can drain them for everything they’re worth.
Recent movies
like
I Care a Lot (2021) touch on subjects like this.
It’s a problem
that has stretched through, at the very least, a half-century (likely longer).
I believe Romero
was looking to force his audience to face the atrocities he outlined in
The
Amusement Park, and I think he succeeded. So much of it was an incredible
sensory overload of anxiety and existential dread… and he did it without any of
the horror tropes or visuals that we are used to. There was nowhere to seek comfort.
No safe scenes.
It’s not a movie
that’s going to be for everyone, but it’s still horrifyingly effective.
The
Amusement Park
will be available for streaming by Shudder on June 8.
Cat’s Point of View:
When you hear the name George A. Romero, the thoughts that
follow generally flash to classic horror movies featuring zombies. Romero is
fairly synonymous with the horror genre, in general. With that in mind, when
you tell someone that a lost Romero film has been found and remastered for
release, it might just spark a tingly feeling of anticipation – well, at least
it did for me.
The Amusement Park
wasn’t exactly what I was expecting. There are minimal amounts of blood. There
aren’t any shambling zombies – at least, not by the genre’s modern definition. The
horror here was very real all the same. This movie just unabashedly smacks you
in the face that time is ticking, and one day death will come for us all. The Amusement Park also draws an
effective parallel to remind us that life can be a circus or a rollercoaster at
times, and there are swindling carnival barkers around every corner.
Even though I was warned going in that this would be a
psychological horror movie and disturbing at a deep and visceral level, I still
underestimated how profoundly it would impact me.
One of my deepest fears is reaching a point that I am trapped
in my own head with the world going on around me without a chance for me to
interact or communicate. While that wasn’t exactly the case here, it wasn’t
that far a reach to envision that sort of situation. I am left rattled in the wake of the credits.
The Amusement Park
was quite obviously filmed many years ago, and yet the flaws in society that
the film brought to light are no better today than at the time of filming. It’s
sad that all of our ‘modern advances’ in the decades that have passed have not
created a better environment for the aging members of our population. The
divide between the haves and have-nots and that created by racial bias is
pretty much just as great now as then. Those that are affluent are afforded
more care and consideration than those that lack such resources.
I could get on a soapbox and rattle on about this for days.
I’ll spare you. The point is that The
Amusement Park wasn’t merely meant to be a horror movie – it is also a call
to action. It’s meant to make everyone think and put themselves in the
protagonist’s shoes.
I don’t think I’d be able to recommend The Amusement Park enough. Change doesn’t happen from sitting idly
by. Hopefully, this movie will spur change – of course, I’m an eternal optimist
and so I can only hope for the best here. At the very least, Romero's movie forces us to consider our humanity in a very stark and unflinching manner. Perhaps the true horror here is that we, as a society, seem to be caught in a vicious loop to continue this pattern...and without change, what fate awaits us all?
Rotten Tomatoes Critic Score – 91%
Rotten Tomatoes Audience Score – None
Metascore – None
Metacritic User Score – None
IMDB Score – 7.1/10
Trust the Dice: Selina’s Rating – 5/5
Trust the Dice: Cat’s Rating – 5/5
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