"We're not critics. We're professional fan-girls." --- This blog is dedicated to movies and the entertainment industry. We use random selection to bring into light the best and worst of streaming films and entertainment news.
Monday, April 5, 2021
The Power (2021)
Streaming Services: Shudder Movie Name/Year: The Power (2021) Genre: Horror Length: 92 minutes Rating: Unrated Production/Distribution: Air Street Films, British Film Institute, Head Gear
Films, Kreo Films FZ, Metrol Technology, Stigma Films, Shudder, VR Films And
Studios Director: Corinna Faith Writer: Corinna Faith Actors: Rose Williams, Emma Rigby,
Charlie Carrick, Clara Read, Paul Antony-Barber, Gbemisola Ikumelo, Diveen
Henry, Robert Goodman, Marley Chesham, Nuala McGowan, Shakira Rahman, Joe
Haddow, Maria Major Blurb from IMDb: 1973: a young nurse is forced to work the
night shift in a crumbling hospital as striking miners switch off the power
across Britain. But inside the walls lurks a terrifying presence that threatens
to consume her and everyone around her.
Selina’s Point of View: I was
looking forward to The Power. The trailer seemed a little tropey,
but I figured the setting and time period would elevate it. I
wasn’t completely right. The
Power did have some elevating
factors, but it was – at its base – a recipe film. For
the majority of the movie, it delivered typical jump-scare fare. There were a
few shocking moments, and I jumped a couple of times… but nothing really stood
out as original. The setting and the period really didn’t alter anything. It
could have taken place anywhere, during any time, and been exactly the same. That
said, it is not a bad film. Any
recipe flick can be good. It needs a creative team and actors that are on
point, as well as something to make it stand out.
Rose
Williams (Reign, Changeland, Curfew) did a decent job with the main
character. I believed her performance and she helped those jump-scares land
properly. On top of that, Corinna Faith (Nature, Ashes, 16 for a Day)
did a good job with the script. Neither of those facts were the stand-out
needed, though. The
real stand-out was the ending. Now,
the twist was relatively predictable. The foreshadowing was not subtle. How the
movie treated the twist, however, made it worthwhile. Not just in the way that
the paranormal aspect is realized, but in the way the title fits the flick. The ending was special, and it made the rest of the film more rewarding. It’s a
little difficult to go into without spoilers, so that’s the most I can say. The
Power comes out on Shudder, April
8th.
Cat’s Point of View: I was super jazzed to learn we’d gotten a screener for The Power, considering it had made it
onto my Top 20 list for this month. The trailer gave me an ominous feeling
which I hoped was a harbinger of good things for this scary story from
yesteryear. Many will laugh at those that are afraid of the dark. Some
of us just can’t help it, though. Sometimes it’s trauma that makes the fear
linger past childhood. Other times it could be sensitivity to things that are simply
unseen. When you’re in tune with your environment to that degree, you know that
sometimes you’re not alone in the dark – but that’s an entirely different story
for another time. I digress… The point is, it’s hard-coded in our DNA from
times of old when ancient people huddled around the fire for safety. Danger
awaits in the dark where human eyes cannot see. It’s instinct. Of course, in
this ‘modern age of reason,’ we can generally mind-over-matter the issue and
move past it – most of us at least. I have a confession. Darkness doesn’t scare me, but it makes
me highly uneasy. I don’t like the unsettled feeling, and so I’ll beeline for a
light source when available. It’s not even all darkness. It’s hard to explain.
My rambling point is that I can identify with this movie’s protagonist on some
level. I would not want to be in a hospital like that with all the lights off.
Nope.
There’s more to this story than a potential boogeyman in the
dark. As we learn more about our plucky main character, Val, we begin to
understand why the darkness is extra scary for her. I think they handled expressing
her PTSD rather well. I don’t want to spoil the movie for you, so I’m afraid I
can’t get into that in detail. The era of this story’s setting wasn’t that long ago, but
there was still a lot of progress yet to happen for women’s rights in Britain
in the mid-1970s. The story deftly highlights some of that rather well also. If you asked me if there was anything about this movie that
bugged me, I’d really be hard-pressed to give you an answer. The special effects
were generally on point. The yawning expanses of deep darkness gave the
appropriate sense of dread and foreboding. The puzzle pieces of the young nurse’s
story and the mystery of the issue at hand came together nicely, and the ending was very satisfying. I had figured
someone else for the story’s antagonist – but I was silly and fell for a red
herring. This is definitely a movie that should be watched in the
dark, if at all possible. If you find yourself in a lighted situation, you
should still be able to see what’s going on for the most part, however. The
pitch black of my room only added to the ambiance of the film for me, leaving
me on edge after the credits rolled. All the same, I’d definitely give this
movie a solid recommendation if you find yourself searching for something to
watch on Shudder starting April 8th.
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