"We're not critics. We're professional fan-girls." --- This blog is dedicated to movies and the entertainment industry. We use random selection to bring into light the best and worst of streaming films and entertainment news.
Friday, September 25, 2020
Enola Holmes (2020)
Streaming Services: Netflix Movie Name/Year: Enola Holmes (2020) Genre: Adventure, Crime, Drama Length: 123 minutes Rating: PG-13 Production/Distribution: PCMA Productions, Legendary Pictures, Warner Bros.
Pictures, EH Productions, Netflix Director: Harry Bradbeer Writers: Nancy Springer, Jack Thorne Actors: Millie Bobby Brown, Henry
Cavill, Sam Claflin, Helena Bonham Carter, Louis Partridge, Burn Gorman, Adeel
Akhtar, Susan Wokoma, Hattie Morahan, David Bamber, Frances de la Tour, Claire
Rushbrook, Fiona Shaw, Gaby French, Paul Copley, Ellie Haddington, Alex Kelly,
James Duke, Connor Catchpole, Sarah Flind, Sofia Stavrinou, Sophie Dixon, Mary
Roscoe, Tuyen Do, Esther Coles, Owen Atlas, Gianni Calchetti Blurb from IMDb: When Enola Holmes-Sherlock's
teen sister-discovers her mother missing, she sets off to find her, becoming a
super-sleuth in her own right as she outwits her famous brother and unravels a
dangerous conspiracy around a mysterious young Lord.
Cat’s Point of View: Where do I even begin? I have been fairly chomping at the
bit while waiting for Enola Holmes to
be released. The game was afoot the moment I watched the trailer. The concept
of this film is appealing to me on several levels. Needless to say, I was
excited enough that I have been hell-bent to get this review written for you,
whether I have pinched-nerve pain or not. (Thankfully, that’s all my arm issue
has been, and not something more lasting or dire.)
I am a Sherlock Holmes fan, even if not an up-to-date one. I
haven’t seen the BBC series of recent years, but I have watched previous
iterations as well as the 2009 and 2011 blockbuster movies. I think it was a
bloody brilliant idea for Henry Cavill (The
Man from U.N.C.L.E., Mission: Impossible - Fallout, Night Hunter) to step
into the role of the legendary gumshoe. His wit, charm, and native English
dialect lend themselves well to the role and made the casting choice rather
elementary.
The cast was also a large draw to this feature. Had the production team decided to give this film a theater distribution, it had the
potential to be a serious box-office draw under non-pandemic circumstances.
With that said, I’m ever so grateful that the decision was made to partner with
Netflix for the release. Production has slowed to a crawl or has been full-stop
delayed all-together for The Witcher
(2019-) Season 2 and Stranger Things (2016-)
Season 4, respectively, due to the pandemic. While I’ve been yearning for the
next installments of those favorite series to get into gear again, this movie provided
the perfect opportunity for the warm fuzzy feels from seeing actors from both
share the screen in the same production. (I’m having withdrawal, okay? It’s
been over a year for Stranger Things.
I’m used to getting a more predictable fix.)
Getting back to the point, I was excited to see Millie Bobby
Brown (Once Upon a Time in Wonderland,
Intruders, Godzilla: King of the Monsters) in the lead role here. I
honestly couldn’t picture anyone else playing the part of the titular
character. Some may not have enjoyed the occasional 4th wall breaks
sprinkled throughout the movie, but I found them endearing. I loved being
included in the shenanigans. Of course, I can’t forget Helena Bonham Carter (Ocean's 8, The Dark Crystal: Age of
Resistance, The Crown). Her presence as the Holmes siblings’ mother is
quite fitting. These two were the perfect pair to portray the fierce
independence of their characters amidst the feminist movement of Victorian
England.
Sam Claflin (The Quiet
Ones, Adrift, Me Before You) has no small part here, either. I almost didn’t
recognize him – but his performance was memorable as the more traditional and
set-in-his-ways judgemental brother.
I could ramble forever, but I’ll try not to digress too far.
The cinematography was excellent here. Everything flowed
really well and I nearly didn’t realize the passing of time at all. Another
draw to the film for me was the Victorian setting. I do adore a good period piece
now and again, and the production team absolutely nailed it. The locations and
ambiance were amazing.
I sincerely hope that Netflix expands this experience into a
franchise with at least a couple more sequels. Since the film is adapted from
novels, I imagine there’s plenty of material to fuel several further escapades.
There’s only one unfortunate kink in that prospect – the original author of the
books Enola Holmes draws from as well
as the production team for this film are all currently embroiled in a legal
battle with the estate of the late Sir Arthur Conan Doyle (1859-1930). The suit
is regarding copyright issues stemming from some aspects of Sherlock’s
personality shown in this movie. I am glad that it didn’t stop this from being
released – but its outcome certainly has bearing on whether or not there might
be future installments.
That being said, I can only heartily recommend this film and
intend to encourage all of my friends to give it a watch. Hopefully, a
settlement or ruling can be reached that will keep the movie available on
Netflix and allow many adventures to come. I’m crossing my fingers!
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